There are no words at all in this book, except on the back cover. In fact, if it were not for the subtitle, one might not know at all that this book is set in the South during the Civil War, at a farm that may or may not be part of the “official” Underground Railroad. (The opening picture spread shows a quilt hung outside the barn, suggesting that this homestead was designated by its owners as a safe haven.)
No drawings show slaves, or any blacks at all. The story is entirely focused on the young girl who lives at the farm and who takes food to a fugitive she finds hiding in the cornstalks. (All we ever see of this fugitive is one eye peeping out.)
I think that, without adult guidance, all that younger readers may see happening is that there is somebody hiding in this young girl’s barn, and the girl brings whoever it is food, and then the person leaves her a corn-husk doll in gratitude.
Several elements of this book make it extraordinary. For one thing, the lack of any text requires much more reader participation than the usual book, and will undoubtedly inspire further investigation by readers.
But the biggest standout feature of this book is the remarkable atmosphere created by the pencil and paper drawings by Cole, reminiscent of the style of Brian Selznick. These illustrations invest the story with a drama and tension that may not have been evident had language “normalized” what was happening. And the emotions clearly expressed by the drawings are incredible.
Discussion: Is the lack of information in this book a good thing or a bad thing? It doesn’t tell you anything about why a person might legitimately be hiding from authorities. It implies, however, that the fugitive is a good person. Is the person being sought justly or unjustly? The text doesn’t say. And a young reader, even upon learning that the fugitive is probably someone trying to escape slavery, may extrapolate mentally to think that anyone sneaking around and hiding out from the law could be good. This is not necessarily a productive message for young kids; what may be courageous under some circumstances could be extremely harmful in others.
So while I think this book is just outstanding, I definitely would recommend it be read along with an adult who explains the nuances of the story from a historical perspective.
Evaluation: From an artistic standpoint, I think this book is not to be missed!
Published by Scholastic Press, an imprint of Scholastic Inc., 2012