The Second Annual Nerds Heart YA Tournament for Underrepresented Young Adult Literature is organized this year by Michelle (Galleysmith), Jodie (Book Gazing), Trish (Hey Lady! Whatcha Readin?), and Amy (My Friend Amy).
The central focus of the tournament is diversity. The books competing meet the following criteria:
Were published in 2009
Have received minimum press on blogs
Feature characters, or are penned by authors, who fall within the following categories:
Person(s) of Color (POC)
GLBT
Disability/Mental Illness
Religious Lifestyle
Lower Socioeconomic Status
I was assigned two books to evaluate and asked to select a favorite between the two. Thus I will present short reviews of each book, compare them, and then indicate which I think is better.
Review of Alligator Bayou by Donna Jo Napoli
This story is based on real events in Tallulah, Louisiana in 1899. It is generally well known that the 1890’s saw the rise of anti-black backlash in the American South. But what is not such common knowledge is that at the same time, Italian immigration to the U.S. South gave rise to extreme nativist expression, including lynchings.
As a motivation for the hatred expressed against the Italians, which you will read about in the book, the characters point to two factors. One was the tendency of the Italians to treat blacks the same as whites. This practice might have given blacks “ideas” and simply was not to be tolerated. A second problem was commercial rivalry, because of fears that the Italians would siphon off jobs and income. At the time in which this story takes place, economic insecurity felt by “natives” was worse than usual: the U.S. was experiencing a severe economic depression that began with the Panic of 1893. Only in mid-1897 did recovery begin. Anger, scapegoating, stereotyping, and mob behavior characterized the hardest-hit regions of the country. In the last decade of the nineteenth century, 1665 persons died at the hands of lynch mobs.
In the story, as in the actual event inspiring the book, the incident that ended in tragedy began when the Italian grocers in Tallulah served a black customer prior to waiting on a white one. Napoli is somewhat faithful to using actual historical figures as characters, but adds a 14-year-old boy, Calogero, recently arrived from Sicily, as a narrator, who comes to live with five cousins already in Tallulah. Calogero, or Calo, also acquires a love interest: a young black girl named Patricia, which helps the author illustrate the fragile scaffolding of race relations in the South at that time. Calo doesn’t know much about the nature of racism in the U.S. prior to his arrival; the other characters are constantly educating him. Some of the information comes straightforwardly as lectures by Calo’s white tutor, and some in a slightly more subtle form. For example, when Patricia’s brothers take Calo hunting for alligator at night, he confesses to her his dislike of the gator. Patricia says to Calo:
‘They’s worse things than ‘gators, Calogero. At least a ‘gator stay in the swamp and don’t get you by surprise. When you dealing with a ‘gator, you know who you dealing with.’”
And perhaps this also serves as the best example for one quibble I have with the book: even the “subtle” teaching moments are a little heavy-handed. The plot device of Calogero needing to learn about real life in America results in a lot of preaching about prejudice, race relations, justice (or the lack thereof) and the means of survival as an “other” in such a society. It sometimes feels more like you are in school than fully absorbed in a story.
Nevertheless, once the author’s message is across and she comes to the denouement, the pages fly by, and knock you flat with the ending.
Review of Medina Hill by Trilby Kent
This book grabs your interest right away. With Alligator Bayou, it was a bit slow at first, figuring out who everyone was and what their relationships to each other were.
Medina Hill puts you into the story at once. Dominic, 11, and his sister Marlo, 8, live with their parents in Mudchute, a part of London, in 1935. But times are bad; Dom’s Mum is coughing blood and his dad lost the only job he ever had. Dom’s mother’s brother, Uncle Roo, invites the kids to stay with them for the summer in Cornwall to give their parents time to get back on their feet.
When Dom and Marlo arrive in Cornwall, they find out that there is a caravan of painted wagons parked near their uncle’s house. The caravan houses a group of Travellers, or Romani people (formerly known as Gypsies). [The word Gypsy is no longer considered correct to use. It derives from the word Egyptian, because the Romani were thought to come from Egypt. The term, however, morphed over time to incorporate a host of negative stereotypes, and now the names Travellers or Romani have largely replaced the old term.] Dom gathers that there is a great deal of hostility in the town over the presence of the caravan and of the Romani in their midst.
Dom learns this by absorption rather than by asking questions. He has reacted to all the stress in his life by literally losing his voice: he can’t seem to form words in the presence of anyone outside his immediate family. Marlo does his talking for him, and forms a bond with one of Uncle Roo’s three borders, an aged reverend. Dominic spends his time engrossed in a book he picked up on the way to Cornwall. It tells the tales of Lawrence of Arabia (Thomas Edward Lawrence), who has recently died in a motorbike accident. [Historically Lawrence's death took place on May 19, 1935.] It is a perfect story for a boy of Dominic’s age, and he dreams of being a hero like Lawrence. [The impression in the book Dominic reads is of The Great White Hero who rescues The Benighted Dark People, and the author does nothing to inform the reader that the truth might be otherwise.]
Soon Dominic meets his own dark native in need of a hero: a young, brave, insouciant Romani girl named Sancha. Ultimately Dominic is moved to speak in public, when the situation of the Travellers becomes dire. As a result, Dominic’s new extended family is proud of him, Sancha smiles, and Dominic doesn’t think “Lawrence himself could have been any prouder.”
Later, however, Sancha confronts Dom:
‘Who says we want to be saved, gadjo? We’ve always looked after ourselves. We don’t need your charity.’”
And yet, as it happens, they do. …
Comparison of the Two Books
Both books are coming of age stories that involve groups of another ethnicity subject to the scorn and prejudice of the population with whom they come to live. In both books, the help of white people is necessary to save the ethnic “others” (although in Alligator Bayou, Calo also gets help from blacks and a Native American).
Both of the books trifle with real life events in order to increase sympathy for their stories. In Alligator Bayou, Napoli makes the Sicilians much more pacific and innocent than they were in real life. (If you are interested, you can read about the real story here.) Nothing they did justified what happened to them, but I don’t think teens need the situation limned in black and white rather than shades of gray to identify with the injustice that occurred.
Similarly, in Medina Hill, T.E. Lawrence is portrayed more in keeping with his fabricated self-image than as the lesser player he was in real life. Although the world may not have known the truth about Lawrence at the time this story took place, it may not be such a positive thing to promulgate the view of him as The Great White Prophet who saved the Arabs.
What about the stories themselves?
As I have mentioned, I thought Medina Hill was a better told story. The narration by Dominic seems so appropriate for an eleven year old. I like that he doesn’t seem to know anything he shouldn’t or couldn’t know at that age, no matter how much giving out that knowledge might fill in the reader.
The language in Alligator Bayou is a little more stilted. Combined with the didactic tone throughout, my transition from the real world to the one inside the book was impeded. Nevertheless, by the end, I was thoroughly inside the world of Tallulah. And I would have to say, this world was more interesting than the one of Medina Hill.
Conclusion
Alligator Bayou, by a nose.
For other reviews in this tournament, check the main blog site, here.
Filed under: Book Review, NerdsHeartYA Tagged: | Book Review, NerdsHeartYA














It’s too bad the author doesn’t trust the reader more in Alligator Hill. It seems like i could be a fascinating story. I am loving reading the reviews and getting to know these books. It will be interesting to see what progresses.
Alligator Bayou sounds more interesting to me, I will have to add that one to my TBR.
I think shades of grey are much more appealing to teens, because that’s how life is, it’s rarely black or white, and to make things black and white sort of feels like talking down to a teen.
Nicole and April,
I don’t want to give the impression that a black-and-white portrayal is that noticeable in these books. I don’t think it will even register if you don’t know the background of the real people that are included. In any event, incorporating a historical event into a pithy YA format has to be tricky. I think I would have to say that the two major elements that went into my “vote” were: how well are they written, and how interesting are the stories?
These both sounds like rather intense reads, and I think I’m putting both on my to read list. Great job with the review!
I am loving this competition. We get to hear about books that we would not otherwise. You have taken your job seriously, and done a very thorough review and comparison of both. Great job! I can’t wait to see how the brackets line up.
Ooh, I was on the edge of my seat till the very end to know which one you are sending forward! I think Medina Hill appeals to me more than Alligator Bayou, but they both sound great.
I just read my first book for this, too!
When I have to make my decision, I want it to sound as put together as this.
Its nice that you had to judge two books that were similar.
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Thanks for alerting me to the decision! I’ve been at a work conference all day so wasn’t able to put it up, but it should be everywhere now. You did a fab job as judge and have been so great at helping to promote some of the authors, thanks for joining in.
Wow..you really packed a lot into the review of these two books. I have Aliigator Bayou on my school library shelves and now I want to run up there and grab it to read this summer.
I just finished reading a historical YA novel, Julius Lester’s Day of Tears, and I found it heavy-handed at times. But like you say, it must be extremely difficult to avoid that when you’re dealing with characters who hold beliefs that modern readers find repugnant. In the end I guess it’s a question of whether they have an emotional impact (Day of Tears did too).
I like the way you reviewed both book and then evaluated them. I haven’t been following this competition but I like what you’ve done. I now want to read both books.
I don’t know if I would have had the courage to pull off a comparison of this type. Good job … and my hats off to you for doing it!
As usual when reading here at RIB, I have a zillion things to say along the way but your reviews and comparison just knocks my socks off…and I feel almost inept to comment. I love love love your take on both books. You did AWESOME.
Good reviews. I’m not sure you’re right that Lawrence was a ‘lesser player’ in the Middle East, though – as un-PC as it may sound, he’s still considered a hero to many in Jordan and Saudi Arabia today for his actions (which often ran contrary to official British orders) during WWI…and, more importantly, for holding out for a free Arabia at the Paris Peace Conference. It was Sykes-Picot that sold the Arabs down the river, not Lawrence, and his disenchantment with the way his comrades were treated by the European powers after the war is ultimately was drove him into seculsion. There is much about his character that was complex, contradictory and, indeed, less than noble, and there is certainly evidence that he began to buy into a belief in himself as a great hero – but it’s inaccurate to suggest that he saw himself rescuing a ‘benigted dark people’, given that he was one of the first Europeans to argue for Arab self-determination.
Caleb,
Thanks for your insightful remarks. I am more referring to how the book read by Dominic portrays Lawrence.
But beyond that, the reading I have done (which admittedly does not include any Arab perspectives) suggests that, as Christopher Catherwood writes in Churchill’s Folly, “Most of Lawrence’s biographers, particularly those writing after the British government decided to release all the documents relating to the First World War in the 1960s, discovered that large segments of [Lawrence's memoirs, "The Seven Pillars of Wisdom"] are entirely imaginary. …” He further maintains that Lawrence idealized the Arab lifestyle and characterizes this idealization as an “imperialist” sentiment similar to Rousseau’s eighteenth-century noble savage.
I suppose with Lawrence himself manufacturing so much of his story, it’s hard to get at the truth of the matter, but I appreciate your pointing out that Arab sources might shed some enlightenment on the matter. All of the books I have read on this subject have been British or American and I concur that’s just not acceptable.
I agree with you on Sykes-Picot as well. It has been quite horrifying for me to discover the presumption with which the allies set about carving up the world even before the war was over, and to see that they only gave in to self-determination movements when absolutely necessary or as conciliatory moves they didn’t see as having much cost.
Yes, indeed!
If the book Dominic reads is Thomas’ ‘With Lawrence in Arabia’ – the best-known biography of Lawrence at the time – then it probably shouldn’t come as any surprise that the tone might jar with readers today (Lawrence himself hated Thomas’ book). That said, I don’t suppose that airbrushing historical depictions of Lawrence to suit modern sensibilities would do justice either to the story or to contemporary readers. It would be quite a different matter, of course, in a novel set in 2010..!